The Piracy Landscape in Latin America

The Piracy Landscape in Latin America

Graphics showing the evolution of piracy in LATAM, type of access in households with online piracy, piracy penetration by country, the total households reached by online piracy and the estimated losses among users that do not have a subscription service but access to online piracy
Graphics showing the evolution of piracy in LATAM, type of access in households with online piracy, piracy penetration by country, the total households reached by online piracy and the estimated losses among users that do not have a subscription service but access to online piracy

In today’s entertainment industry, it’s impossible to ignore the central role of digital distribution. Yet, this very shift has also opened the door to a growing challenge: the rise of online piracy and the spread of illegal content. In Latin America, the scale of this issue offers some particularly revealing insights that deserve closer attention. 

According to the latest data from Origin, online piracy reached 38% of households with fixed internet in the second quarter of the year — equivalent to more than 40 million homes across Latin America

From an evolutionary standpoint, this represents an 11% increase compared to the January–March period. Still, the region remains below the five-year peak, recorded in Q2 2024, when piracy affected 41% of connected households

Looking at country-level data, Ecuador shows the highest incidence, with 65% of connected households engaging in piracy, while Brazil stands out as the market with the lowest penetration, at just 31%

Piracy remains a complex issue to tackle — not only because of the risks users face when consuming illegal content, but also due to its significant economic impact on the entire entertainment value chain. It is estimated that, each year, content piracy on subscription platforms leads to losses exceeding USD 521 million in Latin America, accounting for households that forgo paid subscriptions but still access content through illegal channels

Piracy Access Behaviors 

In Latin America, online content piracy takes shape through several access points, the most prominent being: 

  • Illegal websites: 73% 

  • Apps and add-ons: 39% 

  • IPTV: 16% 

  • Torrents: 16%

According to data from Origin, nearly three out of four households with fixed internet in the region consume pirated content through illegal websites, making this the main access channel.

Apps and add-ons rank as the second most common method, and also the fastest-growing segment over the past two years — rising from 32% to 39%, a 21% increase. This trend reflects a diversification in illegal consumption habits, driven by easy access and the proliferation of connected devices

Brazil, a Success Story 

Brazil stands out as the country with the lowest level of online content piracy in Latin America. However, the country still records a notable volume of access to unofficial sites, even though its incidence and usage frequency remain the lowest in the region

When it comes to the type of content viewed in households that access illicit platforms, 84% of users watch movies and 79% watch series

Among the main live streaming channel providers in the country, the most pirated genres are Domestic Free-to-Air Signals (53%) and Sports (28%)

According to Origin, this sustained decline in illegal content consumption is linked to several structural factors within the Brazilian market that encourage the adoption of legal alternatives — reinforcing Brazil’s position as the country with the lowest online piracy rates in the region

Graphics showing Brazil's success in battling online piracy.

Spending and Accessibility: The Drivers of Legal Consumption in Brazil 

Among the major markets in Latin America, Brazil stands out as the country with the highest spending on entertainment, allocating on average 28% of personal income to this category — 27% above the regional average.

Within this spending distribution, the most significant categories are streaming platforms (26%), dining out (14%), and movie theater attendance (9%). Combined, more than one-third of entertainment spending in Brazil goes toward audiovisual content consumption

This consumer behavior is supported by a broad and accessible streaming offer. According to a dataset compiled by Origin (based on the main platforms available in the country), Brazil leads the region with over 480 active plans, well ahead of Mexico (360+) and Chile (320+)

In addition, the average monthly entry cost for a streaming service in Brazil is USD 5.75, which is 18% lower than the regional average (USD 6.76)

The combination of competitive pricing, diverse plan options, and a strong willingness to invest in leisure reinforces the legal entertainment ecosystem in Brazil. As a result, Brazilian consumers find appealing and affordable options within the formal market, reducing the incentive to turn to illegal platforms and contributing to the country’s relatively low levels of digital piracy

Penetration of Illegal Platforms 

When focusing exclusively on illegal streaming platforms, the data is particularly revealing. In Latin America, these platforms reach 30% of households with fixed internet, while in Brazil that figure drops to just 22%36% lower than the regional average

This gap is also reflected in consumption time: Brazilian households spend an average of 5 hours per week on illegal platforms, compared to 6.5 hours across Latin America. This difference further reinforces the downward trend in the use of pirated platforms within the Brazilian market. 

Extensive Content Offering

The breadth of available catalogs in Brazil also plays a key role in reducing piracy. When streaming platforms provide a diverse, updated, and accessible legal offering, users have fewer incentives to turn to unofficial sources

Brazil ranks as the second country in Latin America with the largest number of unique titles available on streaming platforms, with over 184K pieces of content, just behind Mexico, which offers more than 186K

Brazilian consumers show a strong preference for local content: during the second quarter of the year, three out of four households with fixed internet watched locally produced content. As for the origin of unique titles available on streaming platforms in Brazil, the top three producing countries are: 

  • United States: +39,900 titles

  • Brazil: +8,300 titles

  • United Kingdom: +7,800 titles

Even with the dominance of Hollywood productions, the strong presence of local content ensures that Brazilian audiences find relevant and appealing options that match their preferences within the legal streaming offering

An Industry That Never Sleeps

Online content piracy continues to leave a significant mark across Latin America, reflecting a complex and persistent challenge. However, cases like Brazil’s offer valuable lessons for designing effective reduction strategies

The wide range of services and plans, competitive pricing, and diverse content offerings aligned with local preferences emerge as key factors in discouraging illegal consumption and strengthening the legal digital entertainment ecosystem throughout the region. 

Read More Articles

We're constantly pushing the boundaries of what's possible and seeking new ways to improve our services.

Origin Nexus Entertainment Search API with StartDateStart and StartDateEnd date range filters applied, returning a list of movies and TV titles with upcoming streaming availability dates across major U.S. platforms.

May 11, 2026

Filter Content by Streaming Availability Dates with the Origin Nexus API

Developers can now filter movies and TV titles by the date they become available on streaming platforms, using two new Origin Nexus API parameters. Here is what you can build with them and why availability-date filtering changes how audiences discover content before it starts trending.

Illustration showing three separate department systems, distribution, marketing, and rights management, each holding a different version of the same content record, contrasted with a single unified metadata platform feeding all downstream systems from one authoritative source.

May 7, 2026

Your Metadata Has More Than One Version of the Truth. That's the Problem.

When three departments each maintain their own record for the same title, none of them wrong but none of them the same, the real cost isn't the occasional incident. It's the permanent overhead of a metadata environment nobody fully trusts. Here's what a genuine source of truth looks like and what it takes to build one.

Illustration showing a media operations workflow moving from fragmented manual coordination across email, spreadsheets, and verbal handoffs to a structured, automated system with centralized job tracking and task progression.

May 6, 2026

Media Workflow Automation: How Modern Facilities Are Eliminating Manual Handoffs

Manual handoffs are not just an inconvenience in media operations — they are a structural cost that scales with every job, every team member, and every new client. Here's how modern facilities are replacing coordination overhead with automated workflows, and what that shift looks like in practice.

World map highlighting global streaming platform developments for April 2026, including new launches in Argentina, Brazil, Germany, India, and the United States, HBO Max's European and Indian expansion, AVOD updates across North America, and sports rights shifts in Central America and Europe.

May 5, 2026

The Streaming Moves That Mattered in April 2026

April 2026 reshaped the global streaming map in ways that matter beyond the headlines. HBO Max completed its European rollout, AVOD platforms consolidated around clear winners, sports rights redrew regional competition in Central America and Europe, and niche platforms continued carving out specific audiences. Here's what the month's moves mean for content strategy and distribution planning.

Xytech X2 benefits

May 4, 2026

What ScheduALL Got Right About Transmission — and Where Xytech’s X2 Goes Further

ScheduALL built its reputation in broadcast by solving a genuinely hard problem: transmission scheduling that understands how resources relate, not just whether they are individually available. Xytech's X2 Transmission replicates that relational foundation and goes further, adding a cloud-native architecture, a Network Visualizer, and an AI scheduling layer that changes what experienced transmission teams can accomplish in a day.

A layered pyramid or stacked diagram showing the five metadata types from bottom to top

Apr 30, 2026

Metadata: The Hidden Engine Behind Every Streaming Recommendation

Metadata is the hidden engine behind every streaming recommendation. For platforms competing on content discovery, the quality, depth, and normalization of movie and TV metadata — from genre tags and contributor records to thematic enrichment and availability windows — determines whether recommendation engines surface the right title or settle for a generic list. This post breaks down the layers of entertainment metadata that matter most, why sparse or inconsistent data produces shallow discovery experiences, and how continuous enrichment pipelines are the only scalable answer to keeping a catalog current. If your platform's engagement metrics aren't where they should be, your metadata infrastructure is worth examining.

Ready to take your data to the next level?

Copyright © 2026 Fabric. All Rights Reserved

Powered by AWS

Ready to take your data to the next level?

Copyright © 2026 Fabric. All Rights Reserved

Powered by AWS

Ready to take your data to the next level?

Copyright © 2025 Fabric. All Rights Reserved

Powered by AWS

Ready to take your data to the next level?

Copyright © 2025 Fabric. All Rights Reserved

Powered by AWS